More Sculptures for the Mother of the Divine Word Shrine in Cedarburg

Working in the business of liturgical artwork, we are often approached by clients hoping to commission artwork that will inspire the faithful across generations - we share that desire, hoping our artwork will serve the faithful of future generations as well.  However, when we were recently approached by Jim Kacmarcik, a parishioner of St. Francis Borgia, about creating artwork for the Mother of the Divine Word Shrine located on the parish's grounds, we were really excited.  As the son of the original project donors we had served twelve years earlier, with this project we would literally be able to serve a future generation through our artwork.

Back in 2000 when we created the original shrine artwork, we had been approached by, Msgr. T. George Gajdos, then pastor of St. Francis Borgia, about a possible commission. Thomas and Josephine Kacmarcik had approached Msgr. Gajdos, desiring to sponsor the creation of a Marian shrine at the parish and they eventually commissioned a series of cast resin sculptures that would adorn the Shrine for the next decade.  The pieces included a full-round depiction of the Blessed Mother, reliefs of angels and reliefs of Saints Matthew the Evangelist, Thomas the Apostle, Joseph and Catherine.

 Original Artwork at the Shrine from 2000

Hoping to continue his parent's legacy at the church, Jim Kacmarcik contacted us last September about several different proposals for additional artwork to the expanded shrine. He ultimately chose to commission six new reliefs in the style of those already present in the shrine.  The project was formally approved by the Kacmarcik family and the parish's pastor  Fr. Thomas Eichenberger by the beginning of the year, and over the next few months a series of deep discussions took place between our studio, the Kacmarcik family and Fr. Eichenberger to determine subjects for the statues that would be relevant to today's faithful.  The final list ultimately included well known selections, as well as those more recently recognized, including Saints Michael the Archangel, Peter, Juan Diego, Pio of Pietrelcina and Kateri Tekakwitha and Servant of God Dorothy Day.

Servant of God Dorothy Day (left) and St. Juan Diego (right)

 St. Kateri Tekakwitha (left) and St. Michael the Archangel (right)

 St. Peter (left) and St. Pio of Pietrelcina

 

As the subject of each relief was chosen, a series of sketches and then a full scale clay model was developed for each saint. Once approved, a mold was then created from each clay model and the final reliefs cast in resin and bronze powders using a technique known as 'cold casting'. The completed reliefs were installed at the shrine on July 11, 2013.

We sincerely thank the Kacmarcik family, as well as Fr. Eichenberger and the rest of the St. Francis Borgia parish, for their continued trust in Inspired Artisans. We are proud to have had the opportunity to serve another generation of the Kacmarcik family through the creation of liturgical art.

If you have any questions or your faith community has a need for liturgical artwork, feel free to contact us at any time.  Or please visit our website at www.inspiredart.com.

Tabernacles: Combining the Old and New

When it comes to creating beautiful custom artwork, we always take great pride in our ability to take our client’s ideas and create something new.  However, there are also many instances when we are also approached by parishes hoping to incorporate a heritage element into a piece they are commissioning – adding a whole another dimension to the project.

Incorporating a heritage element always makes a commission more challenging, because not only do we have to meet logistical needs of the current project, but we also have to take into account the aesthetic challenges the older piece may present.  Construction techniques, materials and artistic styles have varied quite a bit over the decades, so in many cases an older piece isn’t an easy ‘match’ to the style of a new construction or renovation.

Tabernacles are one liturgical fitment in particular that we often have requests to incorporate an existing piece into a new design.  However, this is not a surprising request when one considers the significance of the celebration of the Eucharist in the life of a parish.  So what better to celebrate the history of the parish than finding a way to incorporate an older, ‘well loved’ tabernacle into the new design plans.

Having approached this design challenge several times in the past, there are two routes we typically follow to try to blend the two styles of the old and new.  The first and easiest route is to just enclose the existing tabernacle entirely in a newly created exoskeleton, so it is only visible when it is in active use.  This is a popular solution when the older piece is very simple or not the most eye-pleasing, because it allows the greatest stylistic freedom and ensures that the new tabernacle will fit well with the contemporary space.  By using the old tabernacle as the internal enclosure, the heritage piece is still an integral part of the tabernacle’s role in the parish, but circumvents any aesthetic shortcomings that the tabernacle may possess.

St. Joseph Catholic Church

Fort Atkinson, WI

New tabernacle enclosure and doors - existing tabernacle serves as case.

 

Our Lady of Grace Catholic Church

Lubbock, TX

New tabernacle face plate and doors - existing tabernacle serves as case.

 

Catholic Church of the Holy Apostles

McHenry, IL

New Altar of Reservation with enclosed area for existing tabernacle.

St. Mary Catholic Church

Mount Vernon, IL

New tabernacle enclosure with existing tabernacle contained within.

The second design approach involves creating a new exoskeleton for the existing tabernacle, but still allowing the older tabernacle to still remain visible.  This is option some parishes choose when there are important design elements on the existing tabernacle that they hope to carry into the new space, such as a relief on the doors.  While a bit more challenging at the offset, it is often possible to create a happy union between the old and new by introducing new materials or design elements that compliment what is already present.  While the new exterior is being created, the elements of the heritage tabernacle that will remain visible are also often restored, often revealing a beautiful piece that was just hidden behind years of use.  Thus, by visibly including important elements of the older tabernacle into the new, it also possible to ensure an important element in the spiritual life of parish remains in the community.

St. Thomas Aquinas Catholic Church

Waterford, WI

New tabernacle enclosure featuring existing tabernacle doors and case.

St. Phillip of Jesus Catholic Church

San Antonio, TX

New tabernacle enclosure featuring existing tabernacle doors and case.

If you have any questions or your faith community has a need for liturgical artwork, feel free to contact us at any time.  Or please visit our website at www.inspiredart.com.

Adventures on the East Coast

All of us at the studio are wondering how it’s already March, but with how busy last month was, it’s not surprising how quickly the month went by.  While we can rarely say that we’re ‘unbusy’, during February it seems we took ‘busy’ to a whole new level as we prepared for a massive delivery trip on the East Coast.  Over the years we’ve learned that logistics for a delivery can be a tricky business even when it for only one project, but when you’re planning a trip to make six deliveries, a whole new level preparation is required.

While the most obvious preparation for our trip was making sure all of the artwork to be delivered was completed on time and boxed for our departure, what turned out to be an even bigger challenge was figuring out how to fit everything into the truck.  When we rented our 26 foot truck, we figured it would be a tight fit, but it took several days and a computer generated model of the truck and its contents to determine exactly how each piece being shipped had be to placed.  Despite the extra planning required, the trip went very smoothly and we were happy to deliver each commission.

The first stop on the trip was Connecticut, where we visited St. Lawrence Cemetery in West Haven to deliver and install four massive reliefs.  These reliefs were created as replicas of the original ceramic reliefs had hung in the cemetery for over 40 years, but after decades of being battered by the harsh East Coast weather, they had deteriorated to the point that they were falling off the walls piece by piece.  After some investigation, we determined that it would be most advantageous to recreate the existing designs in sturdier, more weather resistant material – our signature exterior fiberglass with bronze finish.  The completed reliefs are a close resemblance to the originals, and since we paid special attention to securely attaching them to the wall, these new pieces should hopefully bring peace to those who visit the cemetery for many decades more.

 

The Deposition

Original ceramic relief (left) and new fiberglass relief (left)

Christ the King

Original ceramic relief (left) and new fiberglass relief (left) 

Immaculate Conception

Original ceramic relief (left) and new fiberglass relief (left) 

Our Lady of All Nations

Original ceramic relief (left) and new fiberglass relief (left)

Another very important stop we made in Connecticut was to St. Rose of Lima Catholic Church in Newtown.  Following the atrocities that occurred in their community, deeply affecting many families of St. Rose parish, our studio felt it was necessary to do whatever we could to help.  In our gallery we had a nearly life-size relief of Christ surrounded by children that had been waiting for a home, and following the tragedy, we could think of no better home than St. Rose.  Our team gifted the relief to the church and delivered it free of charge, hoping that this small gesture can help bring some peace to those who have lost so much.

The remainder of our deliveries took us across state lines into New York.  We had quite the adventure navigating the streets of New York City with our large truck, but despite a few mishaps trying to navigate around the low bridge of Brooklyn, we were able to make our two stops successfully.  The first, and largest delivery, was for Resurrection Cemetery in Staten Island.  After working for over a year, we had finally completed the series of twelve life-size fiberglass reliefs of saints, a Risen Christ and cross and chapel fitments for the cemetery’s newly constructed mausoleum.

From left to right:

St. Anne, St. Anthony of Padua, Blessed Mother

From left to right:

St. Elizabeth Ann Seton, St. Francis, Blessed John Paul II

 

From left to right:

St. Joseph, St. Michael Archangel, St. Mother Cabrini

 

From left to right:

St. Padre Pio, Sacred Heart of Christ, St. Therese

Risen Christ

 

Chapel Fitments

The second stop just outside the city was at St. James Catholic Church in Setauket.  Here we delivered a white fiberglass Pieta sculpture for their cemetery, where they had just installed a Christ on the Waters sculpture in the same finish from us last year.  It was exciting to be able to serve them again so soon and we hope they love their new sculpture as much as the first.

The final stops on our whirlwind journey out east were in upstate New York.  To Riverside Cemetery in Rochester, we delivered an exterior fiberglass sculpture of a boy releasing a dove to be displayed on top of their columbarium, and to St. Mary Catholic Church in Swormville, we delivered an 8’ sculpture of the Ascension of Christ.  After a long week and the truck now emptied, it was nice to at last look forward to nothing but the drive home.

 

Boy Releasing Dove

 

Ascension of Christ concept rendering

 If you have any questions or your faith community has a need for liturgical artwork, feel free to contact us at any time.  Or please visit our website at www.inspiredart.com.

Serving the Lone Star State

First and foremost, happy new year to everyone!  All of us at the studio hope that holidays have treated you well and the start of 2013 has kept you as busy as we have been – for us, one state in particular right now seems to be keeping us hard at work.  Texas.

Just before the end of the year, we had the great fortune to bring to completion a large commission for the newly constructed St. Vincent de Paul Catholic Church in Austin, TX.  Working with the church’s building committee, liturgical consultant Kenneth Griesemer and the rest of their building team, we designed and created many of the new church’s sanctuary fitments, including an altar, ambo, tabernacle and stand, and the bronze dedication crosses featured throughout the sanctuary.  In addition, we also created a suspended 7’ Corpus and accompanying cross that hangs over the sanctuary and a life-size sculpture of St. Louise de Marillac in linden wood.  Being involved in so many aspects of the parish’s new liturgical art and spending nearly two years hard at work, it was wonderful to celebrate the new church’s dedication on December 29, 2012 – our president Gianfranco Tassara was even able to travel to Austin to attend the church’s dedication on-site with the parish community.

 

Sanctuary with Altar, Ambo & Corpus on Cross

Tabernacle & Altar of Repose

One of 12 Dedication Crosses

Corpus on Cross

St. Louise de Marillac

Around the same time, we also had the pleasure to finish a new Corpus for St. Francis de Sales Catholic Church in Houston, TX.  The 7’ Corpus was cast in fiberglass and finished as polychromed wood, and it was sculpted to resemble an existing Corpus at the Holy Name Passionist Retreat Center also located in Houston.  We think the end result turned out to be a close match indeed and we happy to have the Corpus arrive at the parish safely in time for the dedication of their renovation on December 22, 2012.

Reference Corpus

New Corpus We Created

In addition to the commissions we wrapped up at the end of the last year, we have two addition Texan projects in full swing now at the start of the new year.  We are currently working on a new Corpus, cross and a new tabernacle case for a heritage tabernacle for St. Philip of Jesus Catholic Church and sculptural cremation urns for the Congregation of Cordi-Marian Sisters – both in San Antonio.  Both projects are scheduled to be completed later this year, hopefully with more photos to share soon.

Design for Corpus on Cross
St. Philip of Jesus Catholic Church

Corpus in Process of Finishing
St. Philip of Jesus Catholic Church

Design for New Tabernacle Case
St. Philip of Jesus Catholic Church

 

Guardian Angel and Holy Family Urn Sculptures in Progress
Congregation of Cordi-Marian Sisters

 If you have any questions or your faith community has a need for liturgical artwork, feel free to contact us at any time.  Or please visit our website at www.inspiredart.com.